HORSE: Born to Run

HORSE: Born to Run, Oil on linen, 30X30.
 

Michelangelo was quoted as saying ‘Every block of stone has  has a statue inside it and it is the task of the sculptor to discover it.” This painting indeed made that impression on me. 

My intention was to paint a picture of horses running wildly across a prairie kicking up sand. I worked on the painting changing colors and images for quite a while, but it just didn’t seem to work for me. One day I just sat down in front of it and began talking to the painting. “What do you want me to do?” I feel the spirit of the horses joy in and freedom in taking off running while at my friend’s horse farm and want to translate that on this stretched linen.

I got up and grabbed some charcoal and just began making gestures on the canvas with the intention of wiping it all out and beginning from scratch. However, as I sketched, I was compelled again to pick up my paint brush and mix up my favorite colors of siennas and ochres of which Roussillon in Provence is so famous, and a few hours later this painting of horses emerged.

Sometimes you have to stop thinking and just let feelings take over.  That can be a lot harder than one thinks.

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IT CAN DO A BODY GOOD.

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TWO TREES ON HORIZON, 8X18, Cold Wax & Oil, $375 (Click on image to visit website)

It doesn’t matter what time of year, how cold, how hot, when I see birds in a waterscape, peace flows over me. Birds give us so much just in their existing, yet many of us have no idea what their needs are for them to survive. We hear of birds becoming extinct when their native habitats disappear, but apparently it doesn’t sink in that the habitat didn’t have to disappear.

Ecology needs to be taught in school beginning very early so that it is ingrained. Then perhaps our planning boards wouldn’t thoughtlessly allow development everywhere. Perhaps, then, developers wouldn’t consider clear-cutting land to put up concrete parking lots and buildings. They would understand that trees don’t grow there just to be used to provide wood.

Hasn’t it occurred to everyone yet, that trees, their roots, their leave, are protecting our soils from erosion? Do they not understand that roots and leaves are absorbing and using the heavy rains that fall to grow. Haven’t they realized how much cooler in the summer it is to stand under a tree than lean against their car on a macadam parking lot? Please, take a walk in the forest and tell me trees aren’t important for controlling temperatures.

And the next time you take a deep breath remember to thank a tree for providing the oxygen and improving the air quality. Hmm. How wonderful when building roads to include a large medium strip with trees and plants.  Just imagine how that design might have changed the pollution levels in places like Peking and Los Angeles, not to mention making a pleasant drive home from work.

Yes, those beautiful trees aren’t there for us to cut down. Besides being a home for those beautiful birds, one acre of plants absorb six tons of carbon dioxide and puts out four tons of oxygen. Plants filter the air by removing dust and absorbing other pollutants including carbon monoxide, sulfur dioxide and nitrogen dioxide.

Let’s all go out and plant a tree or shrub. It can do a body good.

 

ENCAUSTICS ARE HOT

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My Queendom for a Tree. encaustic painting, 6X6, by Jude Lobe. $140

My Queendom for a Tree. encaustic painting, 6X6, by Jude Lobe. $140

“To be poor and be without trees, is to be the most starved human being in the world. To be poor and have trees, is to be completely rich in ways that money can never buy.”

 ~ Clarissa Pinkola Estes. The Faithful Gardener: A Wise Tale About That Which Can Never Die

It happened quite unintentionally. Me creating with encaustics, that is. A friend wanted to know how to do encaustics, as she was considering pursuing it. I told her I wasn’t doing encaustics at this time, only cold wax & oil, but had the equipment and would get it out and show her the process.

And so I did. I pulled out the heating tray, the various small metal containers of mediums in which pigments of color were added, the large container holding the encaustic medium and array of natural brushes, each designated to their own colored container. Oh, and then there is the torch. Some of the colored pigments I brought back from a trip to Rousillon, Provence, France, known for their beautiful ochres. Others were given to me by a friend who brought them back from Peru, where she purchased them in a street market.

     I proceeded to grab a small 6X6X1.5″ gessoed board and began to brush the hot wax across it. After two thin coats, I then torched it, moving the torch around until all the wax glistened to fuse the layers. As it cooled, a smooth, flat surface appeared.
     This process went on for several layers. I also added some texture by layering hemp cord across the board and lightly pressing it into the soft wax. Again, back to the hot wax and brushing, first in one direction, then another, then torching it to glistening state. As the layers of color and texture built up, I would scratch into the surface where the painting was screaming for it. Finally, I figured the painting was complete. My friend decided it was too messy and is going to do cold wax & oil.
     Since I had all the equipment out and had one piece begun. . well, I just got hooked. I guess you might say, my spirit became ignited and it kindled a new desire to work in encaustics. I’m on fire. (ok, enough with the puns) I can’t help myself now. But they are all small pieces at this time. I may expand to a larger size for pieces for my opening in June at the Hillsborough Gallery of Arts.

 

LAST FRUIT: cold wax and oil

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LAST FRUIT: Eye on the Prize, cold wax and oil by Jude Lobe

This piece entitled, “Last Fruit” grew into thoughts of how man has misused, unappreciated, devoured, drained, wasted, worn out (well, you get the picture), the fruits of nature. But then as it neared completion, the unanswered question of ‘what do we do when resources are limited’ appeared. It perhaps will lead to a new companion piece.

When beginning a cold wax and oil piece, I have no thoughts or ideas in mind. I begin by laying down layers of color onto a prepared cradled wood panel. My palette is drawn from nature. I love the colors of the ochre clays found in Rousillon, Provence, France. I lay a few layers down first so I have a cushion in which to impress textures. Then I leave it overnight and come back to it the next day and continue adding layers of color applied with a brayer, squeegee or palette knife. Along the way I add more textures, scratch and scrape the surface and at some point it starts interacting with me. An idea will begin to form.

Working in cold wax and oil has so many benefits. For some reason, the oil paint mixed with the cold wax has less offensive odor. The finish is a lovely matte, that when buffed has a silky look to it. And the most wonderful thing about it is it dries to touch in 1-3 days. When I finish a painting, I can take it to the gallery in 3 or 4 days, rather than 3 months waiting for an oil painting to cure. The cold wax and oil painting will continue to cure, but it is dry and odorless in a few days.

The cold wax and oil painting, Last Fruit, is now in the exhibit 22 SQUARED at the Hillsborough Gallery of Arts, 121 N. Churton St., Hillsborough, NC. 919-732-5001. Come GET SQUARED. Jan 27 – Feb 23.

Click image to visit site.

PRETTY IN PURPLE

Pretty in Purple,  Oil on board by Jude Lobe

Pretty in Purple, Oil on board by Jude Lobe

This month I was crazy for water lilies. The lilies in my pond were getting ready for the winter and put away all their lovely blooms. Feeling nostalgic, I pulled out images I took earlier in the year when visiting Longwood Gardens in Kennett Square, Pennsylvania and got all inspired. This was one of the first paintings that emerged.

It’s a 10″ X 10″ X 1.5″  oil painting on cradled board. It’s for sale for $300 which includes taxes and shipping anywhere in the conterminous  US.  Just email me below.

Water lilies are perennial plants that usually grow in dense colonies. Flowers grow from stalks arising from thick, fleshy, creeping underwater stems that are buried in the mud. Some flowers bloom at the base of the pad making them appear as though they are sitting on the pad. Others have their stalks extending high above the pad, like these purple beauties. Each bloom has a spiral arrangement of its petals.

If you live in the area of the Triangle or Triad of North Carolina, feel free to visit my studio, Osprey Studio. I’m usually there working.  Just give a call to make sure I’m in. 919-260-9889.

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EDEN: It’s been here all along.

EDEN: It's been here all along. LEARNING TO LOOK WITH OUR HEART.

The natural environment works hard for us every day. It purifies our water, protects us from storms by reducing run-off, protects us from harsh winds, provides oxygen, shelters animals, provides new drugs, provides spawning areas, and so on. If we all work together, we can make a big difference in saving the environment.

My husband and I plan on trips away from home to experience the serenity of the natural environment. Many times in hiking the mountains of North Carolina, trails of Maine or other places far from home, I always comment, “oh, how beautiful.”
But lately, sitting on my porch with a cup of coffee and looking out over the backyard, I realize that the beauty of the natural environment is all around us. We literally only need to look in our own backyard. And thus, the title of this piece, “Eden, it’s been here all along.” We only have to look with our heart.If you’d like to learn how to help save the natural environments, click here.And here are some easy things to do around your house to reduce your carbon foot-prints. click here.
How can we get congress and our young people to understand the importance of the natural environment and it’s complicated network that keeps our planet healthy?
EDEN: It’s been here all along. Cold Wax & Oil, by Jude Lobe. This painting will be at Hillsborough Gallery of Arts through September. HGA is located at 121 N. Churton St., Hillsborough, NC. 919-732-5001.