Small encaustic paintings like the 6X6 one above have been leaving my studio pretty regularly. Lately, I’m trying my hand on a large format encaustic. The wax begins to harden the second you remove the brush from the pot, so it is a real challenge to work on something larger than 8X8 or 10X10.
Just to cover the surface takes some time and maneuvering stretching my body across the board. I lay the 24X36 piece on the floor and bring the heating tray to the floor as well. I continue to lay in the wax and colors until the surface is covered. Then I need to fuse it to the layer below.
After 2 days of work and slowly building up layers, textures and colors, I’m left with the image below. Almost done. Now I begging to add the colors I want to be in the main and finished piece.
I brush on the wax with the colors I want for the finalized painting, continuing to fuse the new layer to the previous layers by torching the wax until it begins to glisten. I intentionally leave the bottom portion deeply textured, but smooth out the top third of the painting. A heated iron works well. Then I finish off by scratching in a few connecting lines and lightly torch. Below is the finished 24X36, Listening to Silence, encaustic on cradled board.
It is on display at my studio, Osprey Studio, this week-end, during the Alamance Studio Tour. Saturday, Oct. 18, 10-5 pm, and Sunday, Oct. 19, Noon – 5 pm. I’m # 12 on the tour. DIRECTIONS.
For more information about the Alamance Studio Tour, visit HERE.
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